Rublev Oil Mediums + Gesso

Verona White marble ground to medium coarse powder. Use this marble dust to make grounds, for adding textural and handling qualities to paints, and as filler in lime plastic for the intonaco layer of fresco.Imported from the world…

Verona Red marble ground to medium coarse powder. Use this marble dust to make grounds, for adding textural and handling qualities to paints, and as filler in lime plastic for the intonaco layer of fresco.Imported from the world-c…

The finest marble dust for making brilliant white grounds. Our whiting is dry ground from marble deposits in the United States. Dry grinding reduces it to a powder without destroying its particle structure, which is important in m…

Rublev Colours Balsam Essential Oil Medium is composed of Canada balsam, pale bodied linseed oil and spike oil. Add to oil paint for enamel-like effects (gloss and greater color saturation), to achieve glow in glazes and to facili…

Botticino marble ground to medium coarse powder. Use this marble dust to make grounds, for adding textural and handling qualities to paints, and as filler in lime plastic for the intonaco layer of fresco.Imported from the world-cl…

Vel?zquez Medium is an oil painting medium of finely ground calcite in bodied linseed oil. Use it to extend paint and alter its consistency, making oil colors 'long'* for finer detail and impastos. Softer than Impasto Medium, this…

Impasto Medium is an oil painting medium of finely ground calcite, silica and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer th…

Oleoresgel is a thixotropic gel painting medium made with bodied linseed oil, alkyd resin, odorless mineral spirits and pyrogenic (fumed) silica. Oleoresgel is a clear pale amber gel that adds transparency and thixotropic body to …

Wilson's Medium is a clear, gel-like oil based on the 18th century oil painting medium of thickened linseed oil, turpentine and beeswax used by the English landscape painter, Richard Wilson (1 August 1714 - 15 May 1782), who may f…

Natural Pigments Sun-Bleached Linseed Oil is made by exposing raw, cold-pressed linseed oil to sunlight in shallow enamel trays covered with clear glass but exposed to the atomosphere for a period of less than one month. No driers…

Our safflower oil is expeller-pressed from safflower oilseeds (Carthamus tinctorius) cultivated in North America, and lightly refined. It is a clear, pale yellow oil that is odorless. As it yellows less than linseed oil it is good…

Oleogel is a thixotropic painting medium made with linseed oil and pyrogenic silica. Oleogel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your paint to giv…

Cobalt System Drier is a concentrated blend of metal carboxylates in mineral spirits, containing 1% cobalt, 13% zirconium and 4% calcium, and consists of an active, primary surface drier with two auxiliary through-driers blended i…

Natural Pigments refined aged linseed oil is a low-acid value drying oil pressed from North American flaxseed. This is as light and pure as industrially-produced linseed oil can be made. Use to grind colors, thin oil colors or pre…

span>Conservar Dammar Finishing Varnish is a varnish made from the best grade of natural dammar resin dissolved in aromatic and aliphatic solvents with UV light stabilizer.

Our pumice is a near-white, milled volcanic glass that has many uses in fine arts. Add pumice to paint to make it appear mat when dried, to add texture and to increase body without tinting the color. Pumice can also be added to gr…

Rublev Colours Sun-Thickened Walnut Oil is made by exposing filtered, cold-pressed walnut oil to sunlight in shallow tanks covered with clear glass and exposed to the atmosphere for a period of three months. No driers or other add…

Epoxide Oil is a dicyclopentadiene copolymer linseed oil. It is a fast drying oil with good alkali resistance. The copolymer of linseed oil and dicyclopentadiene provides a new vehicle that can be added to paints low in volatile o…

Walnut Oil Gel is a thixotropic painting medium made with walnut oil and pyrogenic silica. Walnut Oil Gel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your…

span>Mixing White is a bright, semi-opaque white that is useful for making tints with colors. Does not contain lead.

span>Crystal Water Varnish is a medium that increases the gloss and brilliance of watercolor. Apply over dried watercolor or mix with color prior to painting. The gloss decreases when diluted with water. Retards drying and remains…

Rublev Colours Wax Paste is made with beeswax and odorless mineral spirits. It is a soft paste formulated to make oil colors thicker and more matte. It can also be used as a final varnish over a dry painting or mixed with varnish …

Impasto Putty is an oil painting medium of finely ground calcite, barite and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer tha…

Venetian Medium is an oil-painting medium based on the research that sixteenth century Venetian painters added powdered glass to their paint. Venetian Medium contains leaded crystal glass powder, the palest bodied linseed oil, sun…

Natural Pigments Sun-Bleached Linseed Oil is made by exposing raw, cold-pressed linseed oil to sunlight in shallow enamel trays covered with clear glass but exposed to the atomosphere for a period of less than one month. No driers…

Oleogel is a thixotropic painting medium made with linseed oil and pyrogenic silica. Oleogel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your paint to giv…

Natural Pigments refined aged linseed oil is a low-acid value drying oil pressed from North American flaxseed. This is as light and pure as industrially-produced linseed oil can be made. Use to grind colors, thin oil colors or pre…

Lavender spike oil is a natural, low-toxic substitute for turpentine. It can be used as a solvent for oil painting and in egg-oil emulsion tempera recipes. Spike oil improves the handling of oil-based paints, because it promotes o…

Our safflower oil is expeller-pressed from safflower oilseeds (Carthamus tinctorius) cultivated in North America, and lightly refined. It is a clear, pale yellow oil that is odorless. As it yellows less than linseed oil it is good…

This is a high grade glue made in the U.S. of pure rabbit collagen. It is a fine mesh granular glue that is easy to dissolve in water. The high-quality grade means that it is the lightest in color and most translucent glue availab…

The most popular resin for making spirit varnish. Imported Grade A Singapore resin. This is the most economical way to buy damar varnish. Damar can be used as:- A final picture varnish for oil and tempera paintings.- A medium adde…

span>Traditional Silverpoint Ground is a ready-to-use dry mix ground based on Cennini's 15th century recipe that provides the right abrasive surface for silver and other metal point drawing that is applied to paper or wood.

Oleogel is a thixotropic painting medium made with linseed oil and pyrogenic silica. Oleogel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your paint to giv…

Oleoresgel is a thixotropic gel painting medium made with bodied linseed oil, alkyd resin, odorless mineral spirits and pyrogenic (fumed) silica. Oleoresgel is a clear pale amber gel that adds transparency and thixotropic body to …

Wilson's Medium is a clear, gel-like oil based on the 18th century oil painting medium of thickened linseed oil, turpentine and beeswax used by the English landscape painter, Richard Wilson (1 August 1714 - 15 May 1782), who may f…

Vel?zquez Medium is an oil painting medium of finely ground calcite in bodied linseed oil. Use it to extend paint and alter its consistency, making oil colors 'long'* for finer detail and impastos. Softer than Impasto Medium, this…

Impasto Medium is an oil painting medium of finely ground calcite, silica and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer th…

Epoxide Oil is a dicyclopentadiene copolymer linseed oil. It is a fast drying oil with good alkali resistance. The copolymer of linseed oil and dicyclopentadiene provides a new vehicle that can be added to paints low in volatile o…

Clove Oil from the leaf of the plant by steam distillation. Use to prevent skin forming on oil paint. Add to egg tempera, emulsions and glues to prevent mold and bacteria. Clove oil is composed primarily of eugenol.

Impasto Putty is an oil painting medium of finely ground calcite, barite and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer tha…