Mediums + Gesso

Rublev Oil Medium Balsam Essential Oil Medium (100ml) is a traditional oil painting medium made with Canada balsam, pale bodied linseed oil, and lavender spike oil. Inspired by Old Master techniques, this clear, aromatic medium en…

A translucent gel medium that reduces flow and thickens water colours and gouache to give an impasto effect.

A liquid acrylic polymer emulsion that is the hardest and least flexible of Golden acrylics. Useful for increasing film hardness and reducing tack. Improves adhesion to non-porous surfaces; however some surfaces, such as glass and…

Thicker consistency than Golden Heavy Body Acrylic colors. Golden's thickest gels, along with the High Solid Gels. Blend with colors to increase body. Excellent for holding peaks and impasto techniques. Dries translucent.Golden Ge…

Introducing the Derivan Polymer Gloss Varnish, a top-tier water-based solution for enhancing and protecting your artworks. This 2-liter container offers ample supply for multiple projects, ensuring long-lasting use. Formulated wit…

A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures and brush marks without any visible leveling. Speeds drying (touch dry in 1-6 days depending on colour & film thickness).…

A mixture of oil and wax. Mix with oil colour to achieve a translucent effect. Not suitable for heavy impasto. Imparts a satin finish. This product is marked as a dangerous/hazardous item. Due to this fact, extra freight char…

Art Spectrum Oil Prime is unique oil/acrylic resin blend. The high linseed oil content allows artists' oil colours to crosslink for natural adhesion. Non-toxic. Clean up and thin with water. Suitable for canvas, hardboard and maso…

A satin matt varnish. Can be rubbed and buffed to a sheen with a lint-free cloth. Use Gum Turpentine as solvent. This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges will be calculated…

Quick Drying. Becomes liquid when mixed into oil paint. Suitable for moderate impasto and glazing. Dries with a soft sheen.  This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges w…

Glue sizing, followed by oil painting, is the traditional method of preparing a canvas for oil painting. The size is made by dissolving 1 part Rabbit Skin Glue to 10-15 parts cold water. Soak until all the water has been absorbed …

White or colorless flammable oil or wax obtained in the distilling of petroleum. Paraffin is often used as a material for modeling and in such wax-resist techniques as batik, either as a substitute for bee's wax, or as a supplemen…

A brillant white, flexible painting ground for canvas, paper, hardboard and masonary. Not recommended for permanent oil painting.

Dissolve Damar Crystals in Gum Turpentine to make Damar Varnish. This varnish imparts a rich, glassy effect to glazes and is also used as a basis for making some painting mediums.

MM22 Print Paste has been especially formulated for use with Matisse Colours to screen print on paper.DirectionsMix thoroughly equal parts of MM22.Print Paste and Matisse Colour (Flow or Structure Formula).Adjust ratio to achieve …

Use MM16 Faux Finish & Marbling Gel with Matisse Flow Formula Acrylic colours for a thicker and more transparent consistency. Also can be used for additional painted finishes and various marbling techniques.For painted finish …

Rublev Oil Paint Medium Vacuum-Bodied (Extra-High Viscosity) Linseed Oil - 16 fl oz is a premium stand oil for artists who want maximum flow, gloss, and levelling with less yellowing than ordinary bodied oils. This is a heat-treat…

Rublev Oleogel is a premium thixotropic oil paint medium made with linseed oil and pyrogenic silica, designed for artists who want to achieve transparency and texture control without thinning their paints. This clear pale amber ge…

Lavender spike oil is a natural, low-toxic substitute for turpentine. It can be used as a solvent for oil painting and in egg-oil emulsion tempera recipes. Spike oil improves the handling of oil-based paints, because it promotes o…

Rublev Colours Traditional Silverpoint Ground 500g is a ready to use dry mix ground inspired by Cennino Cennini’s 15th century recipe, made to create the ideal surface for silverpoint and metalpoint drawing. Once prepared, i…

Rublev Oil Medium Oleogel (150ml) is a professional, solvent-free oil painting medium made from linseed oil and pyrogenic silica. This clear, pale amber gel increases transparency while adding a thixotropic body to oil, resin-oil,…

Ceracolors Gel Medium Heavy Body 8oz is a thick, wax-based gel medium made to give Ceracolors water-soluble wax paint serious body for impasto-style painting. Use it to build raised marks, hold brush and palette knife texture, and…

Velázquez Medium is a professional oil painting medium made from finely ground calcite in bodied linseed oil. Designed to extend oil paints and modify their handling, it creates a “long” consistency—ideal …

Impasto Medium is an oil painting medium of finely ground calcite, silica and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer th…

Epoxide Oil is a dicyclopentadiene copolymer linseed oil. It is a fast drying oil with good alkali resistance. The copolymer of linseed oil and dicyclopentadiene provides a new vehicle that can be added to paints low in volatile o…

Rublev Oil Medium Clove Oil (4 fl oz / 118ml) is a pure, redistilled essential oil derived from the dried leaves of the clove tree (Eugenia caryophyllata). Containing approximately 85% eugenol, a natural antioxidant, this oil has …

Rublev Oil Medium Impasto Putty (8 fl oz / 237ml) is a stiff oil painting medium made from finely ground calcite, barite, and bentonite in bodied linseed oil. Stronger than Rublev’s Impasto Medium or Velázquez Medium,…

Dark drying oil or black oil is a fast drying oil made by heating linseed oil with lead oxide (litharge) and used in historical oil painting. The lead (metal basis) content of our dark drying oil is about 3% by weight.This is the …

Rublev Colours Tempera Ground is an absorbent, sandable primer made specifically for traditional tempera painting. Formulated with a vinyl acetate ethylene (VAE) polymer emulsion and a high pigment volume concentration of titanium…

Rublev Oil Medium Walnut Oil Gel (150ml) is a thixotropic oil painting medium made from walnut oil and pyrogenic silica. This clear, pale amber gel adds transparency and body to oil, resin-oil, or alkyd paints, making it a versati…

Rublev Oil Paint Medium Easy Gesso Extra-Fine - 1kg is a simple way to make genuine traditional gesso (glue ground) for artists who want the classic, silky surface used on historical panels. This is not acrylic “gesso.&rdquo…

Rublev Oil Paint Medium Wilson’s Medium - 8 fl oz is a clear, gel-like oil painting medium inspired by an 18th century formula associated with British landscape painting. Traditionally made from thickened linseed oil, turpen…

Rublev Colours Oleogel Oil Painting Medium (8 fl oz / 236 ml) is a solvent-free gel medium designed to extend oil colour, increase transparency for glazing, and improve flow without making paint runny. Made from linseed oil + pyro…

Rublev Pale Drying Oil is a fast-drying, pale linseed oil medium made from well-settled, filtered raw linseed oil pressed from selected North American flax seed. The oil is gently heated in closed kettles to slightly polymerise it…

Rublev Oil Paint Medium White Beeswax - 1kg is a premium studio beeswax supplied as clean, easy-to-melt prills (pastilles), naturally derived from North American apiaries and naturally bleached to a soft white. White beeswax is th…

Bring a classic “Old Masters” glazing look to your oil paintings with Venetian Medium — a fast-setting oil painting medium inspired by research into 16th-century Venetian techniques of adding finely powdered glas…

Rublev Oil Paint Medium Velázquez Medium (16 fl oz) is a professional-quality, calcite-rich medium made with finely ground calcite in bodied linseed oil. Designed to extend oil paints and adjust their working properties, it…

Impasto Medium is an oil painting medium of finely ground calcite, silica and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer th…

Rublev Underpainting Lead White is a brilliant, opaque white made for fast, reliable oil painting underlayers. Often compared to flake white or Cremnitz white, this mixed white combines lead white (PW1), titanium white (PW6), and …