Mediums + Gesso

Natural Pigments refined aged linseed oil is a low-acid value drying oil pressed from North American flaxseed. This is as light and pure as industrially-produced linseed oil can be made. Use to grind colors, thin oil colors or pre…

A general purpose liquid medium useful for creating glazes, extending colors, and increasing translucency. Has a unique property that promotes flow and leveling.What Fluid Medium Can DoCeracolors Mediums, Gels and Pastes offer art…

Lavender spike oil is a natural, low-toxic substitute for turpentine. It can be used as a solvent for oil painting and in egg-oil emulsion tempera recipes. Spike oil improves the handling of oil-based paints, because it promotes o…

Our safflower oil is expeller-pressed from safflower oilseeds (Carthamus tinctorius) cultivated in North America, and lightly refined. It is a clear, pale yellow oil that is odorless. As it yellows less than linseed oil it is good…

This is a high grade glue made in the U.S. of pure rabbit collagen. It is a fine mesh granular glue that is easy to dissolve in water. The high-quality grade means that it is the lightest in color and most translucent glue availab…

The most popular resin for making spirit varnish. Imported Grade A Singapore resin. This is the most economical way to buy damar varnish. Damar can be used as:- A final picture varnish for oil and tempera paintings.- A medium adde…

span>Traditional Silverpoint Ground is a ready-to-use dry mix ground based on Cennini's 15th century recipe that provides the right abrasive surface for silver and other metal point drawing that is applied to paper or wood.

Oleogel is a thixotropic painting medium made with linseed oil and pyrogenic silica. Oleogel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your paint to giv…

Oleoresgel is a thixotropic gel painting medium made with bodied linseed oil, alkyd resin, odorless mineral spirits and pyrogenic (fumed) silica. Oleoresgel is a clear pale amber gel that adds transparency and thixotropic body to …

Wilson's Medium is a clear, gel-like oil based on the 18th century oil painting medium of thickened linseed oil, turpentine and beeswax used by the English landscape painter, Richard Wilson (1 August 1714 - 15 May 1782), who may f…

Add Ceracolors Gel to Ceracolors paint for thick, impasto-like applications of paint.Pastes differ from gels in that they are opaque and may contain calcite (chalk), bentonite (diatomaceous earth), fibers, clay or other fillers re…

Vel?zquez Medium is an oil painting medium of finely ground calcite in bodied linseed oil. Use it to extend paint and alter its consistency, making oil colors 'long'* for finer detail and impastos. Softer than Impasto Medium, this…

Impasto Medium is an oil painting medium of finely ground calcite, silica and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer th…

Epoxide Oil is a dicyclopentadiene copolymer linseed oil. It is a fast drying oil with good alkali resistance. The copolymer of linseed oil and dicyclopentadiene provides a new vehicle that can be added to paints low in volatile o…

Clove Oil from the leaf of the plant by steam distillation. Use to prevent skin forming on oil paint. Add to egg tempera, emulsions and glues to prevent mold and bacteria. Clove oil is composed primarily of eugenol.

Impasto Putty is an oil painting medium of finely ground calcite, barite and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer tha…

Dark drying oil or black oil is a fast drying oil made by heating linseed oil with lead oxide (litharge) and used in historical oil painting. The lead (metal basis) content of our dark drying oil is about 3% by weight.This is the …

span>Rublev Colours Tempera Ground is formulated with a polymer emulsion that contains high levels of titanium dioxide, calcium carbonate, and wollastonite to produce an easily sanded surface. The surface is very absorbent and spe…

Walnut Oil Gel is a thixotropic painting medium made with walnut oil and pyrogenic silica. Walnut Oil Gel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your…

An easy way to make real gesso. This is not an acrylic "gesso" mix. It's the real thing: hide glue and whiting (chalk). But we've made it real easy: Mix equal amounts of warm water and the Easy Gesso Extra-Fine powder, wait a few …

Wilson's Medium is a clear, gel-like oil based on the 18th century oil painting medium of thickened linseed oil, turpentine and beeswax used by the English landscape painter, Richard Wilson (1 August 1714 - 15 May 1782), who may f…

Oleogel is a thixotropic painting medium made with linseed oil and pyrogenic silica. Oleogel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your paint to giv…

span>Pale drying oil is perfect for making oil paints dry faster, yellowish in color. It is derived from a processed linseed oil from selected flax seed.

These prills of white beeswax derived from a natural source, bee apiaries in North America, that is naturally bleached to a soft, pleasing white color.Beeswax is used as a protective coating (varnish) in painting, as a paint binde…

Venetian Medium is an oil-painting medium based on the research that sixteenth century Venetian painters added powdered glass to their paint. Venetian Medium contains leaded crystal glass powder, the palest bodied linseed oil, sun…

CAUTION: This product contains lead. Read the Material Safety Data Sheet for more information.Rublev Lead Oil Ground is a blend of white pigments and linseed oil for a semi-absorbent ground ideal for oil painting. It dries within …

Canada Balsam is the pale yellow oleoresin with a faint greenish cast of the balsam fir tree. It is dries to a clear transparent film. It is used as a plasticizing resin for varnishes and paints. Canada balsam is amorphous when dr…

Vel?zquez Medium is an oil painting medium of finely ground calcite in bodied linseed oil. Use it to extend paint and alter its consistency, making oil colors 'long'* for finer detail and impastos. Softer than Impasto Medium, this…

Impasto Medium is an oil painting medium of finely ground calcite, silica and bentonite in bodied linseed oil. Use it to extend paint without altering the consistency, making oil colors 'short' and buttery for impastos. Stiffer th…

Rublev Colours Sun-Thickened Linseed Oil is made by exposing raw, cold-pressed linseed oil to sunlight in shallow tanks covered with clear glass and exposed to the atmosphere for a period of one month. Exposure to sunlight lighte…

Lavender spike oil is a natural, low-toxic substitute for turpentine. It can be used as a solvent for oil painting and in egg-oil emulsion tempera recipes. Spike oil improves the handling of oil-based paints, because it promotes o…

span>Underpainting Lead White (also known as flake white or Cremnitz white) is a mixed white with lead white, titanium white, and chalk ground in oil-alkyd to make a brilliant, opaque white that is smooth, dries very quickly to a …

span>Sun-Bleached Linseed Oil is a fast-drying oil used as a medium or added to homemade mediums.

Oleogel is a thixotropic painting medium made with linseed oil and pyrogenic silica. Oleogel is a clear pale amber gel that adds transparency and thixotropic body to oil, resin-oil or alkyd paint. Add directly to your paint to giv…

CAUTION: This product contains lead. Read the Material Safety Data Sheet for more information.Rublev Lead Oil Ground is a blend of white pigments and linseed oil for a semi-absorbent ground ideal for oil painting. It dries within …

Canada Balsam is the pale yellow oleoresin with a faint greenish cast of the balsam fir tree. It is dries to a clear transparent film. It is used as a plasticizing resin for varnishes and paints. Canada balsam is amorphous when dr…