Mediums + Gesso

Thicker consistency than Golden Heavy Body Acrylic colors. Golden's thickest gels, along with the High Solid Gels. Blend with colors to increase body. Excellent for holding peaks and impasto techniques. Dries translucent.Golden Ge…

Thicker consistency than Golden Heavy Body Acrylic colors. Blend with colors to increase body. Good for holding peaks. Dries translucent.Golden Gel Mediums offer artists many ways to build texture. They can be used to create glaze…

Thicker consistency than Golden Heavy Body Acrylic colors. Blend with colors to increase body. Good for holding peaks. Dries translucent.Golden Gel Mediums offer artists many ways to build texture. They can be used to create glaze…

Thicker consistency than Golden Heavy Body Acrylic colors. Blend with colors to increase body. Good for holding peaks. Dries translucent.Golden Gel Mediums offer artists many ways to build texture. They can be used to create glaze…

Same creamy consistency as Golden Heavy Body Acrylic colors. Ideal for extending paint and regulating translucency without changing the consistency of the Heavy Body and Matte colors. Holds moderate peaks and texture.Golden Gel Me…

Same creamy consistency as Golden Heavy Body Acrylic colors. Ideal for extending paint and regulating translucency without changing the consistency of the Heavy Body and Matte colors. Holds moderate peaks and texture.Golden Gel Me…

Same creamy consistency as Golden Heavy Body Acrylic colors. Ideal for extending paint and regulating translucency without changing the consistency of the Heavy Body and Matte colors. Holds moderate peaks and texture. The Regular …

Thinner than Golden Heavy Body Acrylic colors, Soft Gels are moderately pourable and hold only slight peaks.Golden Gel Mediums offer artists many ways to build texture. They can be used to create glazes, extend paints and change f…

Thinner than Golden Heavy Body Acrylic colors, Soft Gels are moderately pourable and hold only slight peaks.Golden Gel Mediums offer artists many ways to build texture. They can be used to create glazes, extend paints and change f…

Thinner than Golden Heavy Body Acrylic colors, Soft Gels are moderately pourable and hold only slight peaks. Soft Gel Gloss is ideal for glazing and other techniques where transparency is desired. It is also the recommended acryli…

Golden Self-Leveling Clear Gel is designed to produce an even film with excellent clarity. This gel has similar qualities to the Clear Tar Gel: it has a resinous consistency and offers excellent leveling, yet its viscosity is clos…

Acrylic Glazing Liquid (Gloss, Satin) can be mixed with Golden Acrylics to create glazes for interior application on walls or furniture. The slow drying formula provides sufficient working time for a wide variety of glaze and faux…

Acrylic Glazing Liquid (Gloss, Satin) can be mixed with Golden Acrylics to create glazes for interior application on walls or furniture. The slow drying formula provides sufficient working time for a wide variety of glaze and faux…

The Master's Hand Soap is specially formulated to remove petroleum-based paint or materials without harsh and messy thinners. It removes dried-on paint with just water. It's non-abrasive, and leaves hands soft.

Simply wet the brush and work up a good lather on the hard cake. The Masters Brush Cleaner and Preserver help restore those old oil and acrylic and watercolour brushes. Removes wet and dry oil paint, watercolour, acrylics, stains,…

Introducing Derivan Spreader Medium, the essential tool for achieving captivating textures and effects in your acrylic paintings. Specially formulated by Derivan, this medium is designed to extend the drying time of acrylic paint,…

This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and…

This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour & film thickn…

The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing & blending or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour &a…

Chroma Archival Texture Gel Medium is a textured variation of Smooth Gel Medium, formulated with ceramic beads to create a gritty, tactile surface. It mixes into oil colour smoothly, then firms up on the painting to hold raised br…

Chroma Archival Odourless Solvent is a low toxicity, odour free solvent used for thinning oil paint and cleaning brushes. It is designed as a more comfortable alternative to gum turpentine or mineral turpentine, especially for art…

Chroma Archival Odourless Lean Medium is a very fluid, general-purpose oil painting medium designed to thin paint, increase transparency, and improve glide and spreadability. It is ideal for underpainting, first layers, and any st…

Chroma Archival Odourless Fat Medium is a healthier, low vapour alternative to traditional oil painting mediums. Because Archival odourless mediums and solvents evaporate much more slowly than turpentines, they produce minimal vap…

Archival Odourless Classic Medium is a low odour oil painting medium designed to give you the handling of a traditional “classic” medium while keeping your studio environment more comfortable. Use it to improve paint f…

Product Discontinued

Contains fine particles that add fine texture and can be used to give the impression of depth and structure to water colour paintings. Apply directly to paper or mix with water colour. Shake well before use.

This increases the granulation of colour, giving a mottled appearance to colours which usually give a smooth wash (e.g. Winsor Blue), or enhancing the effect of granulating colours (e.g. French Ultramarine). For maximum effect dil…

Heat thickened linseed oil. Use with artists' oil colours to enhance flow. Dries to a tough glossy film. Also used in the preparation of oil painting mediums.  

A temporary picture varnish. A thin coat restores luminosity to dull arceas to aid colour matching. Sealer for painting grounds if the surface is too porous. Must be dry before overpainting. This product is marked as a dangerous/h…

Pure refined linseed oil is used in the finest artists' oil colours. Small amounts added to oil pain enhance flow and slow drying. Also used in making mediums.  

A very low odour alternative to Medium No 1, with similar properties. This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges will be calculated upon check out.

Used in conjuctin with Lean medium in the 'fat over lean' sequence. Lean and fat mediums can be intermixed.  This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges will be calculate…

A natural, double distilled solvent for oil painting. Used in most painting mediums. This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges will be calculated upon check out.

A low odour alternative to Artists' Turpentine for people sensitive to turpentine fumes. This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges will be calculated upon check out.

Medium No. 3 is a thicker medium than No. 2. It is for painters who like a heavier, more viscous, medium. It is ideal for artists who paint in many layers. The artist begins with Medium No. 1, then uses Medium No. 2, then finally …

Medium No. 2 is a fat medium. It contains more oil than Medium No. 1. It should be mixed with the oil paint as the layers of painting develop. It has some of the properties of a glazing medium but it is preferable to use Art Spect…

The use of this Medium No. 1 saves time as no prior mixing is required. It can be used to obtain even watercolour effects. Two thin coats of oil paint will give a better coverage than one thick layer and will provide a better surf…

A quick drying, transparent painting and glazing medium.ÊExcellent for multiple glazes, where it will give great depth and subtlety of colour. Can be painted wet on wet or left to dry before overpainting. Mix thoroughly with…

A high gloss, non yellowing acrylic varnish. Removable with Mineral turpentine. This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges will be calculated upon check out.

A gloss final varnish for oil paintings. Also used in making some painting mediums. Remove with Gum Turpentine. This product is marked as a dangerous/hazardous item. Due to this fact, extra freight charges will be calculated …