Mediums + Gesso

Use for Oils, Acrylics, and Watercolors. Will even remove dried on paints and paint stains! Clean fresh scent. Plastic jar contains 1 ounce/28.3 grams. Made in USA.

An alternative to adding gels and other impasto or building mediums to paint which work by imparting their own thicker bulk to a paint mix. This medium actually chemically thickens the paint. It is a rheology modifier, that is, it…

Verona White marble ground to medium coarse powder. Use this marble dust to make grounds, for adding textural and handling qualities to paints, and as filler in lime plastic for the intonaco layer of fresco.Imported from the world…

Verona Red marble ground to medium coarse powder. Use this marble dust to make grounds, for adding textural and handling qualities to paints, and as filler in lime plastic for the intonaco layer of fresco.Imported from the world-c…

The finest marble dust for making brilliant white grounds. Our whiting is dry ground from marble deposits in the United States. Dry grinding reduces it to a powder without destroying its particle structure, which is important in m…

Rublev Colours Balsam Essential Oil Medium is composed of Canada balsam, pale bodied linseed oil and spike oil. Add to oil paint for enamel-like effects (gloss and greater color saturation), to achieve glow in glazes and to facili…

This medium gives pearlescent or glitter effects to water colours and is particularly effective when mixed with transparent colours especially over dark backgrounds. Mix with transparent water colour or apply over a dried wash. Sh…

Slows the drying of water colours, allowing more time for blending. Extends working time even in hot climates. For maximum effect dilute with medium only. Can also be mixed with water.

A non-removable, water repellant liquid wax designed for masking specific areas of paper, making them resistant to water. When dry, the medium will repel superimposed washes. Excellent for detail. Apply directly to the paper or ti…

Allows dry colour washes, including staining colours, to be easily lifted from paper with a wet brush or rag. Apply directly to paper and allow to dry before painting. It is recommended to coat the whole surface before commencing …

A translucent gel medium that reduces flow and thickens water colours and gouache to give an impasto effect.

A wetting agent used to improve flow when mixed directly with water colours. It can also be used on very hard sized papers to reduce surface tension. Add 3-4 drops per cup of water.

A pale coloured solution that controls the spread of wet colour, reduces staining and slows drying. Also increases gloss and transparency. Dilute with water as required.

A colourless, non-staining liquid composed of rubber latex for masking areas of work needing protection when colour is applied in broad washes. Do not apply on damp or soft sized paper. Remove as soon as possible after application…

A pigmented liquid composed of rubber latex and pigment, for masking areas of work needing protection when colour is applied in broad washes. Do not apply on damp or soft sized paper. Remove as soon as possible after application. …

GAC 100 Multi-Purpose Acrylic Polymer is a sealer that helps prevent Support Induced Discoloration (SID) caused by impurities that are drawn up through a substrate as the acrylic paint dries. GAC 100 is also useful for diluting an…

A liquid acrylic polymer emulsion which dries to a hard, stiff film. When applied over a fabric support, such as cotton, linen or silk, the GAC 400 will serve to dramatically stiffen the support. This allows the artist to transfor…

A liquid acrylic polymer emulsion that is the hardest and least flexible of Golden acrylics. Useful for increasing film hardness and reducing tack. Improves adhesion to non-porous surfaces; however some surfaces, such as glass and…

Golden Hard MSA Varnish dries to a tough, non-flexible protective finish. The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior …

MSA Varnish with UVLS (Gloss, Satin, Matte) is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than water-borne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces.…

Golden Acrylic Ground for Pastels is an acrylic ground for the preparation of canvas and other supports for pastels. It provides a tooth similar to papers designed for pastel and chalk. To increase tooth, add Golden Fine or Coarse…

Golden Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with Golden Gesso increases the life span of artwork. Our Gesso is formulated to be flexible and is highly pigmente…

Golden Absorbent Ground, designed for stain and watercolor-type applications, is light stable, permanent and flexible. While it has a gesso-like consistency, it is not intended as a gesso alternative. It must be applied over a por…

Golden Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with Golden Gesso increases the life span of artwork. Our Gesso is formulated to be flexible and is highly pigmente…

Golden Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with Golden Gesso increases the life span of artwork. Our Gesso is formulated to be flexible and is highly pigmente…

Modifies the Golden Fluid Acrylics for airbrush/spray application. Blends easily with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip buildup during spr…

Essentially a "colorless airbrush color" to be used primarly with the Golden High Flow Acrylics. Originally designed for extending Golden Airbrush Colors to increase film hardness for better frisketing and lower the pigmentation o…

A general purpose, pourable medium useful for extending colors, decreasing gloss and increasing film integrity. Can be used as a ground instead of gesso.

A general purpose liquid medium useful for creating glazes, extending colors, enhancing gloss and translucency and increasing film integrity. Its unique feel is oil-like or resinous in nature, and promotes flow and leveling.

Golden Gel Topcoats are thick acrylic gel mediums containing Ultra Violet Light Filters and Stabilizers (UVLS) to protect materials from fading and deterioration caused by exposure to UV radiation. Gel Topcoats dry to a permanent,…

A thick, warm white colored medium that is translucent up to about 1/8?Û?. Dries to a hard surfaced, stiff but flexible film with a tooth like fine sandpaper. The dry film accepts wet and dry media very well. Mix with Golden…

Dries to an extremely hard, opaque film. This product is useful for creating tough, durable finishes for smooth or textured surfaces. The dried film can be carved with hand or power tools. Blends with Golden Acrylic colors.

Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with Golden Acrylic colors.

Offers dramatic weight reductions when building thick layers of acrylic. The density of the wet product is over 50&#37 less than that of Golden regular Molding Paste. This results in a significantly lighter film. This dramatic…

Golden Crackle Paste is a thick, opaque cracking material designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the thickness of application an…

The Golden Clear Tar Gel is the extreme in leveling. It is designed to produce an even film with excellent clarity. The gel has a unique resinous, stringy consistency and dries to a flexible, high gloss film.Clear Tar Gel can be u…

Golden Fiber Paste offers a dry film that has the appearance of rough handmade paper. Skimming the product with a wet palette knife can create a smoother surface. When dry, it has an off-white colour and is very absorbent, making …

Golden Glass Bead Gel is a coarse textured medium with a Heavy Body viscosity that holds peaks. Made with genuine glass beads, its unique visual effect like condensation on cold glass is best seen in thin films that allow the mono…

The same textural quality as its pumice counterpart, without the gray, opaque grit. Excellent for making translucent, textural glazes. The chroma will not be affected. Blends with Golden Acrylics.

Used to create granular textured surfaces. Dries to a hard film. To increase its flexibility, mix in other Golden Gels or Mediums. Blends with Golden Acrylic colors.