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Archival

Archival Odourless Classic Medium

SKU:
A92200087165
$10.95 - $40.95

Archival Odourless Classic Medium is a low odour oil painting medium designed to give you the handling of a traditional “classic” medium while keeping your studio environment more comforta…Read More

Archival Odourless Classic Medium is a low odour oil painting medium designed to give you the handling of a traditional “classic” medium while keeping your studio environment more comfortable. Use it to improve paint flow, increase brushability, and help your strokes level out cleanly, making it especially useful for glazing, blending and smooth layering.

This medium is a great choice for artists who want more control than straight oil alone. Add a small amount to your colour to make paint feel more responsive and to reduce drag, or build it into your process for transparent layers and refined transitions. Because it is odourless, it suits home studios, classrooms and shared spaces where strong solvent smells are a problem.

Best for:

  • Glazing and transparent layers

  • Smoother brushwork and better levelling

  • Blending and soft transitions

  • General purpose thinning and improved handling

How to use:

  • Start with a small amount mixed into paint on the palette and adjust as needed.

  • Use sparingly for best film strength and control.

  • Always work with good ventilation and standard studio safety practices.

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Archival Odourless Classic Medium

$10.95 - $40.95
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Archival Odourless Classic Medium

$10.95 - $40.95
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Description

Archival Odourless Classic Medium is a low odour oil painting medium designed to give you the handling of a traditional “classic” medium while keeping your studio environment more comfortable. Use it to improve paint flow, increase brushability, and help your strokes level out cleanly, making it especially useful for glazing, blending and smooth layering.

This medium is a great choice for artists who want more control than straight oil alone. Add a small amount to your colour to make paint feel more responsive and to reduce drag, or build it into your process for transparent layers and refined transitions. Because it is odourless, it suits home studios, classrooms and shared spaces where strong solvent smells are a problem.

Best for:

  • Glazing and transparent layers

  • Smoother brushwork and better levelling

  • Blending and soft transitions

  • General purpose thinning and improved handling

How to use:

  • Start with a small amount mixed into paint on the palette and adjust as needed.

  • Use sparingly for best film strength and control.

  • Always work with good ventilation and standard studio safety practices.

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